Entries in Animation (4)

Saturday
11Oct

Futurama : Bender's Big Score / The Beast With a Billion Backs

The cancellation of Futurama to this day is still one of the biggest crimes in televisual history. Dropped in 2003,  Matt Groening's sci-fi animation comedyorama was a loss for many fans of the show and animation enthusiasts alike, with the show a penchant for being more adult, intelligent and funny than that of the Simpsons. After it's cancellation the reccuring question was if the show would ever return, and after being announced  last year that the show would indeed come back in the form of four direct-to-DVD movies, fans, finally have something to celebrate.

I saw the first two -Bender's Big Score & The Beast With a Billion Backs respectively- on release, but as part of a huge cleanup on the DVD backlog they've both been given a second viewing along with the extras.

Bender's Big Score

The first new Futurama material in five years, and things start off incredibly promising. Opening with a number of jokes about the cancellation of Futurama -loosely hidden behind a story strand explaining that Planet Express has been shut down by the "Box Network"- the film gets going pretty quickly with the funny. They're far from subtle, and the connections are made increasingly obvious, but they make for a great start- after all, how else was the show going to resume without some reminder or explanation regarding it's absence of the last half-decade?

These opening minutes and the first half hour is the best bit of the film. All too quickly the film begins getting underway with the plot, and while normally this wouldn't be a bad thing, the story present is there at the expense of funny throughout the ninety minutes. Fans will love it though, because it's an adventure that goes back to the very series start, dishing out the explanations and confusing regularly with time travel hyperbole. It's fun, rather than funny, but there's lots of cameos of characters past, and it's from them that many of the film's greatest moment's come, as well as the subplots throughout, particularly the one starring Hermes.

The truth is, it's all too narrative driven, and while the return of Futurama is "good news everyone" no matter what, Bender's Big Score still could've been so much more.

The Beast with a Billion Backs

Picking up exactly where Bender's Big Score left off (spoiler: a giant rip in the universe), The Beast with The Billion Backs provides the funny while still supplying an interesting and diverse plot. There's no time-travel lark at all here, and while there's maybe less references to the show's past as a result,  the story is strong enough to carry the film forward without appeasing to the fans via cameos. That said, characters who were left out last time have more of a starring role with this film. Zapp and Kif get a lot more screentime, as does Amy, while Bender is thankfully relegated to starring in his own sub plot for the most part rather than dominating the story. Yes, yes, he's great, he's funny, but he's overused far too much.

The new characters present too are a lot stronger than those introduced in the film's predecessor. while they're perhaps just as throwaway as that of Nudar et al from the previous epic, they're a lot more developed and seemingly integral, not to the film, but to the actual Futurama universe. Brittany Murphy voices Coleen, the new love interest for Fry, while David Cross is the voice of Yivo, the beast that the title refers to. 'Course, there's cameos and special guest stars too, with Stephen Hawking reprising his role as himself (and being great in all his scenes) and Dan 'Homer Simpson' Castellaneta as a very subdued Robot Devil. Show regular Tress MacNeille voices plenty of returning characters, while additionally on the character front, there's plenty more Richard Nixon- a good thing.

Of the two, 'Beast is definitely my favourite. Bender's Big Score seemed so confident in it's story and time-travel antics that I didn't find it all that funny, and it felt, on more than one occassion, as an attempt to drive the Futurama canon forward rather than amuse and entertain. With two films left, (and then...what?) i'll pretty much take whatever Futurama I can get, but there has been disappointment by many, myself included. Perhaps, like The Simpsons, this is one show that should've ended a long time. Or maybe, and more realistically, the only reason this show exists and continues to provide new material is because of and for the hardcore fanbase, that not only made the show a success, but ensured more than anything that Futurama would return eventually. Eitherway, Futurama is here, at least for the time being, and perhaps sadly not for the future that the show is so fond of.



Thursday
14Feb

Ratatouille

2007_ratatouille_002.jpg

With the DVD released on Monday, and currently with some time off work at the moment, today I was allowed the pleasure of watching Pixar's Ratatouille.

I'm a huge fan of the Pixar movies, and their ideologies and 'a-film-for-all' way of thinking usually ensure you'll be watching more than just standard-family fare. Oh, and their pioneers in CG animation too apparently. But I love the Pixar films all the same, and they're exactly that kind natural evolution from all the Disney animation I grew up watching with my sister, and yet, they're still a lot more pivotal than all the other contemporary movie fluff released for both adults and children as separate markets.

Ratatouille as has already been well promoted is a film about a rat in Paris with aspirations of becoming a chef. As a public enemy and social pest being a rat ensures his dreams are soon put on hold, but with the befriending of a hapless kitchen assistant it's not long before the completion of his goals begin to manifest. Theoretically it's a pretty surreal concept, but as with previous Pixar movies (talking cars, the concept of monsters, superheroes et al) this is soon forgotten as both characters and story is well-realised and developed. But once again it's these characters and this story that is the most appealing part of the film. There's no denying the appeal and draw of the visual fireworks (which are nice btw) and the humour, but the story is exciting, interesting, and to use a word perhaps better-suited to traditional Disney, enchanting.

Embarrassingly, Finding Nemo is one of my all-time favourite films, and while personally Ratatouille is good, it's still not my favourite Pixar film. But i'm the minority, and such references to it's predecessors are entirely unnecessary because of the overall quality that Ratatouille exudes and the quality that it brings not just to the CG animation genre but to films and story-telling in general. It was fun, and while it's still a bit too early to re-watch it, it is one of those films like Toy Story or Nemo that I can imagine re-watching countless time over the next few years.


Tuesday
19Dec

Rest-In-Peace Joseph Barbera



Via BBC News-

Joseph Barbera, one half of the team behind such cartoon classics as The Flintstones, Yogi Bear, Scooby-Doo and Huckleberry Hound, has died, aged 95.

With a career as illustrious as his was, he's clearly someone who's going to be missed from within the industry, but also as a result of his work's impact on culture in general, he's someone who's also going to be missed by a lot of people in general.

Clearly, a sad day for animation and fans of TV alike.




Sunday
17Dec

Happy Feet

Happy_Feet.jpg"Happy Feet" is the tale of a young emperor penguin, who in regards to the movie title, likes to dance. The problem is he lives in a society where his species are not renowned for their dancing, and rather, for their singing. Increasingly with all the new CG animations the underlying theme of "be yourself" is a common trait, but with this film it's a notion that's a lot more fully realised, and more of a central focus.

Given the theme and title, the movie is understandably full of singing and dancing all against white glaciers and mountains. The choreography and action similarly is as you'd expect and is very loud, fast and vibrant. The most surprising thing in regards to all this is that it's part of the film's overall charm and what essentially separates it from all the other CG Films that get released month-in month-out. The singing and dancing for the most part is a lot of fun to watch -once you've adapted to the idea of course- so it's a shame then that it's not something that lasts forever in this film.

The truth is -and there's a spoiler imminent- there is such a morbidly dark section to this film about two-thirds of the way in. Suddenly the film goes far beyond a tale of penguins dancing and into far more dangerous storytelling territory, with the end result being lead-penguin being trapped in a zoo and slowly deteriorating, in what is easily one of the most surreal disgusting scenes ever to appear in a children's animation. I'm twenty, and even I was shocked at certain directions the film insisted on going in, and it soon became clear that this wasn't a film for either children or adults, rather, just some horrible place in between. The sad truth is, the second part of the film just feels thrown on for shits and giggles, and the adventure and environmental protection sub-theme that comes with this new direction just comes across as being rammed down our throats a little too much, and definately something that will go completely over the younger audience.

Regardless of it's mixed messages, Happy Feet is a good film. It's charming, it's fun, and a real release from all the other far more serious storytelling in cinema nowadays. Understandably it's a shame then that this film itself can't stay like this forever and does move into darker territory, but the underlying messages are there all the same, and there is something to be learned from the film, whether you approve of it or not. As a children's film, I don't think it scores as highly, and when the DVD release arrives, it may be a good idea to turn off just after an hour in, especially if you've got younger ones. But it's good all the same, slightly underwhelming perhaps given the hype, but then, what CG animated film doesn't disappoint nowadays?